My evolution as an artist has been based almost exclusively on the study of Celtic art and culture,  and the creation of  Celtic designs, for over  twenty years.  All  of  this seems a natural progression  to me  since the Celtic  culture is  a part of my  heritage.  In order to more fully explore  Celtic culture and  design, and  my heritage, I have taken  four  trips  to England. In 1991, my father and I traveled to Cornwall  to see the  countryside  where  my  great,  great  grandparents were born and raised.
       On  an  earlier  trip I had the great  good  fortune  to  see  the  Lindisfarne Gospels, in  the  British Museum.  Seeing  the original  artwork  was  a thrill.  Knowing that  the Monks  who created  those designs had no eyeglasses or magnifying lenses, and  nothing  more to work with than quill pens and hand-made pigments, I marveled  at  the  amazingly  fine  line, and tiny detail. I  work under  a magnifying  light,  with  fine point  Rapidograph  pens  yet  I can’t  come  anywhere  close  to  accomplishing  what  they did.  I have the  greatest admiration  for  those  wonderful  Celtic artists.  I can only  hope  that  my  creations are a worthy reflection of their achievements.  

A poem by Jennifer Kirkpatrick

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       I  can’t  remember  a  time  when  I  didn’t  draw  - constantly. It was  a  primary  focus  of  my  childhood, and  a personal passion which grew  along  with me.  Though  I had no formal training, as I matured so did  my art.  By  the  time I was  grown  I'd  became  a  proficient  illustrator, and pen & ink had become my medium of choice.
       As  a  young  adult  I  found  myself  inspired  by  such celebrated  illustrators  as  Aubrey  Beardsley  and  Harry  Clark,  and  immersing  myself  in  a  world  of  fantasy  art,  inflected with elements of Art Nouveau.
       For  my   first  public  show,  at  Sun  River  Resort  in central  Oregon  in  1981,  I  created  a  number  of  pieces based  on  western  themes:  cowboys,  Indians,  and  wildlife.  However,  after   that  event  I  quickly returned to fantasy  art,  now  influenced  by  a  growing  interest  in Celtic design.